Raven Girl – buy it
by Audrey Niffenegger – her website
Recommended Ages: 14+

Audrey Niffenegger, author of The Time Traveller’s Wife, has written and illustrated a new fairy tale. There once was a postman who falls in love with a raven, and together they have a Raven Girl. The Raven Girl is born with arms and legs, but she longs to fly. Niffenegger weaves fairy tale truisms with modern medicine to bring to life a story of identity, and the importance of an open mind and an open heart. The perfect book for fans of Rowling, Tim Burton, Neil Gaiman, Angela Carter and of course Niffenegger herself.

I was lucky enough to attend a reading and Q&A session with Audrey Niffenegger at the London Literary Festival last night. With a brilliantly insightful eye, she gets to the twisted heart of the tale, and exposes it to us in her rich and clever tongue. As much a piece of art as a story, the fairy tale has been created and transformed into a ballet.

Opening on the simple life of the postman, who...

Daniel Deronda—buy it
by George Eliot—Wiki her
Recommended Ages: 14+

The last completed work by one of the greatest English novelists, this book proves that Victorian literature need not be staid, conventional, and formulaic. In fact, it is such a daring and intricately-wrought book that even some avid readers my be intimidated by it. I won’t fib: it’s a big bite to chew. But it is also a mouthful of rare, delicate flavors, and nourishing to the mind and heart.

The first way you’ll notice this novel departing from the usual rut is its structure...

Flora’s Dare—buy it
by Ysabeau Wilce—her website
Recommended Ages: 12+

In the sequel to Flora Segunda, Flora Fyrdraaca ov Fyrdraaca, fourteen-year-old heroine of an alternate-history version of San Francisco called Califa, finds out what her true name is. And while I’m mentioning it, I might add that the full title of this book is Flora’s Dare: How a Girl of Spirit Gambles All to Expand Her Vocabulary, Confront a Bouncing Boy Terror, and Try to Save Califa from a Shaky Doom (Despite Being Confined to Her Room)...

The Kite Rider—buy it
by Geraldine McCaughrean—her website
Recommended Ages: 12+

It’s the 13th century. Kublai Khan has conquered China, spreading the Mongolian empire from Ukraine to Korea. His epoch-making attempt to invade Japan is about to get underway—the one that will end with Kublai’s army at the bottom of the Yellow Sea, thanks to a storm that will go down in Japanese memory as “Kamikaze” (divine wind). At that crucial point in history—to the Eastern world what the sinking of the Spanish Armada was to the West—Gou Haoyou is a sailor’s son living in the coastal village of Dagu, downriver from the great city of Dadu (now Beijing). Haoyou’s father, Gou Pei, stirs the jealousy of another sailor named Di Chou, who wants Pei’s beautiful wife for his own. So, before Haoyou’s horrified eyes, Chou has Pei rigged to a makeshift kite and sent aloft to “test the wind” and see whether the spirits are in favor of their ship’s journey...

Star of Stone—buy it
by P. D. Baccalario—about the author in English; in Italian
Recommended Ages: 12+

In Book Two of the Century Quartet, four kids with Leap Day birthdays come together again to solve another puzzle, this time in New York City. Elettra from Rome, Mistral from Paris, Sheng from Shanghai, and Harvey from Manhattan face an evil nightclub owner, five dangerous women, a one-eyed crow flying surveillance for a shadowy group of Native Americans, and a trail of clues seemingly left behind by a man who lived over 100 years without growing old. Their friend Ermete, master of disguise, comes along to help and ends up in the hospital. And while Elettra still struggles to understand the strange power over the element of fire that emerged in her during their previous adventure, the sweetness of first love connects her to Harvey.

Harvey is at the center in this installment...

The Well Between the Worlds—buy it
by Sam Llewellyn—his website
Recommended Ages: 12+

I was so overwhelmed by the strangeness and originality of this book’s fantasy conceits that, in spite of several clues, I got halfway through it before I realized that it is a retelling of the Arthurian legend. Color me embarrassed! It mentions a round table. It features a sword in a stone, which only the rightful king can pull loose. It has characters in it named Ector, Uther, Kay, Mark, and Morgan—obvious references to the Arthur mythos—as well as less-obvious but still recognizable aliases, such as Ambrose (Merlin), Murther (Mordred), and Draco (Pendragon). The legend of King Arthur—at least, its earlier parts—provides the overall shape of this story, and thereby makes it deeply and timelessly compelling. Yet at the same time, that outline is filled in with an amazing piece of world-building, whose vivid colors and unique textures transform it almost out of recognition.

Welcome to Lyon...

The Secret History of Tom Trueheart—buy it
by Ian Beck—his website
Recommended Ages: 10+

Young Tom comes from a line of storybook heroes. And by that I mean the actual heroes of such stories as “Jack the Giant Killer” and “The Frog Prince.” Whether a clever tailor or a charming prince, the hero in each of your favorite fairy tales was most likely a member of the Trueheart clan, acting on instructions from the staff at the Story Bureau, and with a little help from sprites who carry messages and throw in a little magic now and then.

Here’s how it works: Either Tom’s father Jack (missing these last several years) or one of his six elder brothers (all named Jack, or some variation thereof), on receiving a memo from the Story Bureau, marches out of the family cottage and into either the north, south, east, or west gate of the Land of Stories—a place where all the ingredients are in place for an adventure with trolls, giants, fairy godmothers, wicked witches, and what you will...

The Humming Room—buy it
by Ellen Potter—her website
Recommended Ages: 12+

Roo Fanshaw is a runty thief, good at hiding with her hoard of trinkets in tight spaces where big people can’t come after her. Before we have time to find out what made her this way, we see her taken from the scene of her drug-dealer father’s murder (which she witnessed) and passed along to a series of foster families, where she is even less loved and cared for than before. At last, she comes in for a landing at the remote home of her uncle—a reclusive man who was estranged from her father, his brother. Whether this is finally to be her home, however, will depend on how well she can adapt to a gloomy old house that used to be a sanitarium for children dying of tuberculosis, on an island in the Saint Lawrence River accessible only by boat, among servants who worry more about keeping the girl out of her uncle’s way than about how she is doing. And yet the island stirs a new life in this closed-up, hurt girl.

Pantomime – buy it
by Laura Lam – her website
Recommended Ages: 14+

Iphigenia ‘Gene’ Laurus is the heiress of a noble family, bound by corsets and her Mother’s rich ideals. Micah Grey is a runaway, taking refuge in R.H. Ragona’s Circus of Magic, the greatest circus in Ellada. With a head for heights, the beckoning call of the aerialists is too tempting to resist, and a new life is forged in the heart of the tumbling circus life where anything seems possible. But not all is as it first appears, and identity is given the sleight of hand. Surrounded by the mystical blue Penglass and remnants of a civilisation half-forgotten, the adventure is only just beginning, with danger lurking at every turn. What does it take to learn about yourself under the weight of expectation?

The cover copy of Pantomime is deliberately misleading, as such the following review contains spoilers:

This book takes the magic of childhood dreams and the thrill of adventure, and catapults it into a fast paced ...

The Kneebone Boy—buy it
by Ellen Potter—her website
Recommended Ages: 12+

The Hardscrabble children are (let’s face it) strange. Elder brother Otto never takes off the scarf he has worn since their mother disappeared, and speaks only in a private sign language understood only by his siblings. Youngest child Max is a walking encyclopedia with a head for heights. And in the middle is Lucia, the narrator (though she pretends to be anonymous), scared and vulnerable and mouthy and fiercely protective of her family. A lot of self-deprecating humor works its way into her narrative, as she admits to being afraid of heights, repeatedly mistakes the meanings of words Max knows and uses, and addresses back-chatty remarks to the English teacher who asked her to write this studiously dramatic account of her family’s most gothically creepy adventure.

Otto, Lucia, and Max live alone with their father, who is a portrait painter—except, when their father goes out of town to sketch studies of fallen...