The fifth and final book of “The Parasol Protectorate” confronts Lady Alexia Maccon, née Tarabotti, and her team of supernatural sleuths, with a mystery that reaches back into ancient Egypt. Intertwined with this mystery are a present-day murder case, a dark secret that threatens to break up the pack of werewolves led by Alexia’s Alpha husband, and the lingering puzzle of the father she never knew. And so a racy, funny series of romantic whodunits, blending vampires, werewolves, 1870s steampunk, and complex but convincing world-building, comes to an exciting and richly satisfying conclusion.
Ralph is a geek, but not the type who would ordinarily dream of becoming the hero in a fantasy novel. In fact, Ralph’s boring parents have done their best to instill in him a flat, unheroic, unimaginative character. Their reason is that it is dangerous for members of their family to make wishes. The closest thing to a wish that has ever crossed Ralph’s mind is his dream of being a computer game designer. I know, right? What a geek! But then the fantasy novel happens to him.
It’s the fourth book of “The Parasol Protectorate”, and only the first time that phrase is mentioned in the series. Also known as the “Alexia Tarabotti” novels (though she’s been Lady Maccon since her marriage), they relate the racy, dangerous adventures of a soulless, or preternatural, lady in a steampunk version of Victorian England. Being preternatural means she can turn vampires and werewolves mortal with a touch; she can even exorcise ghosts. Being the wife of Conal Maccon, Alpha werewolf of the Woolsey Pack, means that she has influence over one segment of the Greater London supernatural set. Her seat on the Queen’s secret Shadow Council, as muhjah (representing the preternatural interest), gives her unusual (for a woman) influence over government policy. And her unprecedented pregnancy, the fruit of a cross-species mating with a werewolf, makes her a threat to the undead status quo.
The third and (for now) final book in the “Kane Chronicles” begins with an apology “for any inconvenience the end of the world may have caused you.” As the story unfolds, narrated alternately by siblings Carter and Sadie Kane, you’ll become increasingly inclined to accept their apology. Some catastrophes are really hard to prevent. And though the young Kanes often feel responsible even for things that are out of their control, they are finally ready to save the world, once and for all, from the ancient Egyptian serpent-god Apophis and the chaos he represents.
Here’s what you want to know about these stories in general: Their writing was spread out over most of the years Butcher has been working on the Dresden Files. They fill cracks in the canon between the Dresden novels and blanks in the background of Harry and his friends. They spotlight a rich variety of themes, tones, and secondary characters. They cover a range of moods between deep cold terror and urgent panicky thrills, between laughter and tragedy, between light detective jobs with a side of magic and crises that shake the fabric of creation. Two of them are told from the point of view of characters other than Harry, while he himself remains in the background. And yet all of them are charged with the unmistakable energy of fun that we have come to associate with a certain wisecracking, tough-as-nails wizard.
After being groomed from childhood to become a supervillain bent on world domination, Cadel Greeniaus, formerly Cadel Piggott, is just trying to blend in and live a normal life. He goes to computer programming classes at the University of New South Wales, as if he hasn’t already achieved fiendish levels of hacking skills. He lives in a little weatherboard house with the foster parents who are trying to adopt him. And he refuses even to think about having anything to do with the global manhunt for Prosper English, the criminal mastermind who raised him. He figures that if he keeps his nose clean, Prosper won’t have any reason to try to kill him. Again.
The opening chapter of this book was so insanely fast-paced that I thought, “There’s no way the author can keep this up; and even if he does, I’m not going to like it.” Fortunately, this turned out to be because this is the third book of a trilogy, and there was a lot of background from the previous two books to catch up on. Leave it to me to start a trilogy with the third book! Now I’m going to have to go back and read “Bloodsucking Fiends” and “You Suck”, both subtitled “A Love Story.” One could seriously apply the title “Love Story” to this entire trilogy (as one website actually does). But that wouldn’t do justice to a series of hilarious, raunchy, and sometimes touching books that give a refreshing shakedown to an all-too-earnest genre: the vampire novel.
The off-season is usually a sleepy time in the scenic coastal town of Pine Cove, California. This fall, however, events conspire to make it a madcap emergency, combining crime, craziness, a man-eating monster from the depths of the ocean, and an epic wave of horniness. Fasten your Adult Content Advisory: It’s going to be a raunchy comedy from the author of “Practical Demonkeeping”, which shares this book’s setting and some of its characters.
In his second summer at the Intergalactic Bed & Breakfast, David (formerly “Scrub”) Elliott expects to enjoy his time with Grandma, his sweetheart Amy, and a houseful of extraterrestrial tourists. But things get off to a disappointing start and get worse from there. First, he suspects that the new alien handyman is up to no good. But far from being able to convince anyone to listen to his concerns, David soon learns that Grandma, Amy, and her security chief Dad trust skull-faced Scratchull more than they trust him. The more he tries to prove his suspicions, the more Scratchull makes him look like a fool—or worse.
“Intergalactic Bed & Breakfast” is the name of the series, as well as the place young David “Scrub” Elliott finds himself visiting over the summer between sixth and seventh grade. It isn’t that Scrub is into science fiction, so much. His main interest is basketball. He would rather be back in Florida, trading insane dares with his best friend and training for the all-star team. Instead, when his parents take off on separate business trips, he gets packed off to his grandma’s crazy, retro-futuristic themed hotel in the woods of Washington. Equal parts throwback to the hippie era and throw-up of sci-fi film cliches, the B&B seems to promise the lamest summer vacation ever. But that’s before Scrub finds out that his grandma’s clients are really visitors from other planets.