Thirteen-year-old Jason is an ordinary, baseball-playing, zoo-volunteering kid from Colorado, until the day he hears music coming out of a hippopotamus. Leaning closer, he falls into the hippo’s mouth, slides down a long chute, and comes out at the bottom of a hollow tree in a completely different world. It’s not how most visitors from our reality find their way to the magical land of Lyrian. Later, Jason meets a girl his age named Rachel, who followed the more usual route by walking under a stone arch and suddenly finding herself elsewhere. From the moment they arrive, they are in danger. Things are going on in Lyrian that they don’t understand. Weird races, created long ago by a group of wizards, are doing weird things, following an agenda that either serves or seeks to overthrow an evil wizard emperor named Maldor. And just when Jason thinks he’s on the scent of a way home, he reads something in a forbidden book that makes him Public Enemy Number One.
Give a Chicago private eye a magic wand, and what do you get? Well, Jim Butcher’s Dresden Files, mostly. But Harry Dresden is a wizard of our time—a little rusty with high-tech gadgetry, to be sure, but also a VW Beetle-driving, pop-culture-riffing, very human wizard. One reviewer frequently quoted in jacket blurbs of the Dresden novels likens him to a mash-up of Philip Marlowe and Merlin. But actually, he’s a lot more like Richard Castle combined with Harry Potter. If you really want your wand-wielding detective hard boiled, you should try Mick Oberon. He has the period for it: the 1930s, the age of bootleggers and Chicago gangsters like Bugs Moran and Al Capone. He also has a shoulder holster in which he packs a high-caliber wand, best used for giving and taking luck and maybe spinning the occasional glamour. He talks in a clipped voice loaded with period slang, like “flivver” for “automobile” and “gink” for “man.” He could almost have stepped out of a pulp novel by James M. Cain or Raymond Chandler. Only, he isn’t human.
In Book 3 of the “Odd Thomas” series, the young fry cook who sees dead people has retreated to a monastery in the mountains for a needed break from the stress of his quiet hometown. He only wants a little time to heal from two harrowing encounters with monsters in human form. But his respite is cut short by the appearance of bodachs at the abbey—or more precisely, in the school for mentally and physically disabled children run by nuns, next door to the monastery. These silent, shadowy creatures always seem drawn to places where there will soon be violence on a big scale. For reasons Odd cannot begin to guess, the gloating bodachs have started to crowd around these defenseless and unwanted children. He has only a day or two to figure out how to protect them, and from whom. Or what.
The third book of the “Troubletwisters” series pits young Wardens-in-waiting Jaide Shield and her twin brother Jack against yet another threat to the wards that protect the town of Portland from the Evil. You know, that force of emptiness that comes from another dimension and wants to take over everything. They have thwarted the Evil twice before. But if there’s one lesson the Evil seems to learn faster than Grandma X and the other good guys, it’s that keeping secrets from the twins makes them vulnerable. And if they’re vulnerable, so is Portland… and the world.
The second book in the “Troubletwisters” series finds the small seaside town of Portland threatened by a fragment of the Evil that menaced it in Book 1. At least, so the Shield twins suspect. Jack and Jaide are still a bit jumpy after their narrow victory in their first adventure. The wards are all intact, protecting Portland, and the world, from the all-consuming hunger that lurks outside our universe. But Jack can never forget how it felt to have the Evil invading his mind, tempting him to join it. And neither Jack nor Jaide finds it easy to take Grandma X at her word since she hardly ever gives their questions a straight answer. “Mind your own business” simply doesn’t cut it with these curious kids, even though they know they have a lot to learn about controlling their gifts as future Wardens—and that it is these still unruly gifts that give them the name “troubletwisters.”
The cover art of this book gives a misleading impression of what kind of trouble the “troubletwisters” specialize in. The fact that the book actually does feature several tornadoes and a hurricane may add to that impression. So you may be surprised to learn that the term “troubletwisters” in this book does not have anything to do with cyclones, as such. Troubletwisters are kids who have started to manifest powers—powers that, if brought under control and properly harnessed, will enable them to serve as Wardens – specially gifted people who dedicate their lives to keeping the Evil (with a capital “E”) out of this world. More on that later. While they are still coming into their powers, troubletwisters have a tendency to cause unintended chaos and twist a little trouble into a big problem. Hence the name.
The second book of Lyonesse concludes this most unusual variant of the Arthurian legend, based on the folklore of the author’s native Isles of Scilly, off the southwest tip of Britain. It follows up on “The Well Between the Worlds”, which seemed such an engaging and original work of fantasy that I had read half of it before I realized that the resemblance between its characters’ names and figures associated with King Arthur was more than a coincidence. Now on board with the secret, I read the second half of the tale and met even more familiar characters under a different guise. Amazingly, knowing what I already know from having read several tellings of the deeds of King Arthur and his knights, I didn’t know enough to spoil the plot of this book. I guess you’d have to grow up in the Isles of Scilly to know what to expect. Maybe even then the creative touches added by the author of the “Little Darlings” series, and of many other novels for adults and children, would be enough to make the story seem new, richly inventive, and full of surprises.
Siobhan Quinn is a runaway, a junkie, and a tough chick, living by her wits in the streets of Providence, Rhode Island. Things start to get really dark for her when she sees her girlfriend being eaten by a ghoul. She kills it, of course. Under the patronage of a flamboyant character whom she calls “Mean Mr. B,” she soon sets out on a career as a slayer of nasties. Then one inadvertent slaying lands her in the middle of… well, I don’t want to spoil it. Before Quinn figures out what’s going on, she gets turned into a werewolf and a vampire—doubly cursed, doubly damned, an abomination to abominations, etc., etc. Worse, someone (or something) is pulling her magical strings, controlling her transformations, and using her to track down and kill everyone who crossed him or her. Or it.
The legend says that the great hero Sorahb will return when his country has need of him. If ever Farsala needed a hero, it is now. The Hrum Empire has destroyed its army and taken possession of most of its major cities. They still have most of a year to meet their deadline, when they must either subdue all resistance or abandon their plan to conquer Farsala, accepting it as an ally instead. The nation’s slender chances of holding out that long depend on one walled city withstanding a siege, a band of lawless “swamp rats” evading capture, and the tiny remnant of her army being ready to make a last stand before the end.
In Book 2 of “The Lynburn Legacy”, a dark ultimatum looms over the outwardly charming town of Sorry-in-the-Vale. The evil sorcerer Rob Lynburn means to return the town to its old ways, in which the sorcerous few held power over the non-magical many—an arrangement whereby good weather and prosperous fortunes were given in exchange for blood sacrifice. Rob and his sorcerers demand a victim—a human victim, mind you—on the winter solstice, not only to show that the town submits to them but also to ramp up their magical mojo. Standing in the way are Rob’s estranged wife Lillian, the lady of Aurimere manor; his half-sibling sons Jared and Ash, who epitomize every teen girl’s dilemma between the sexy bad boy and the really nice guy; and epitomizing every teen girl, high school newspaper editor Kami Glass and her brave but very mortal friends.