The third and (for now) final book in the “Kane Chronicles” begins with an apology “for any inconvenience the end of the world may have caused you.” As the story unfolds, narrated alternately by siblings Carter and Sadie Kane, you’ll become increasingly inclined to accept their apology. Some catastrophes are really hard to prevent. And though the young Kanes often feel responsible even for things that are out of their control, they are finally ready to save the world, once and for all, from the ancient Egyptian serpent-god Apophis and the chaos he represents.
In Book 2 of the “Kane Chronicles”, the Texas-based author of the “Tres Navarre” mysteries cleverly uses hilarious, romantic, magical, and thrill-packed entertainment to educate young adults about ancient Egyptian mythology. He’s very sneaky that way. But we’re not surprised since he did the same thing with Greek mythology in the “Percy Jackson and the Olympians” series. Ditto with Roman mythology in the “Heroes of Olympus” series. Face it, you’re going to need a roadmap to keep track of all the different ways Rick Riordan has brought the legends of ancient gods and heroes into the present day. But in spite of the globe-trotting complexity of the action in this book, and the relative unfamiliarity of the gods, monsters, and mythological concepts it introduces, this is a deceptively easy book to enjoy.
Inspired by a Persian legend and originally titled “Flame”, this is the first book of the Farsala Trilogy. The new and improved title, while dramatically distinctive, has the drawback of giving away the ending. But since the story is only getting started, that’s probably all right.
And yet I would bet you’re hearing about this book for the first time now. Here some writers would say, “So goes the world,” and let it be. But I say it need not be so. Nathaniel Hawthorne is too important a figure in American literature to be allowed to remain only a figure, silhouetted against the dying light of a bygone age. His writing really is enjoyable, and some of it was designed for the enjoyment of kids. And even though kids’ tastes may change, there still remains a good deal of charm and appeal in Hawthorne’s retellings of the world’s most timeless tales.