“A Tangle of Gold” is the final installment in Jaclyn Moriarty’s “Colors of Madeleine” trilogy, and picks up right where “The Cracks in the Kingdom” left off: Elliot has crossed over from the Kingdom of Cello to Earth, and discovered his missing father there. But as delighted as Madeleine is to have Elliot here in person, he has to leave almost immediately or risk forgetting his true identity. Before she knows it, he’s been whisked away back to Cello – where the world is still in turmoil and he’s a fugitive – and she’s left feeling like her part in the story might be over.
The women in Emma’s family have always done remarkable things, whether it’s serving as a spy in the Revolutionary War, becoming a champion boxer, or being a renowned singer. The one thing all these women have in common, besides being extraordinary in their own way, is the Destiny Dream they have, which shows them the path to follow. Emma’s been waiting for her own Destiny Dream ever since her mother told her about them two years ago, before she died. The thing is, right about now would be a great time for Emma to find her destiny, preferably a profitable one, because Emma’s grandmother is running out of money to keep their small cafe open, and a greedy buyer is eyeing the property. Can Emma save her home and find her destiny?
Many “Potter” fans were introduced to Kazu Kibuishi and his graphic novel series “Amulet” after Kibuishi illustrated new covers for the American editions of “Harry Potter” in 2013, just before the release of the sixth “Amulet” book, “Escape From Lucien.” It didn’t take long for Potterheads to get hooked on the series, and you’ll be happy to know that “Amulet #7: Firelight” has just been released!
Lily is not your average teenager – at sixteen years old, she’s already a first class computer hacker, and uses her skills to help her father, a lawyer, solve his toughest cases. But that still doesn’t prepare her for what she discovers one morning while out investigating a case: magic is real. Unfortunately, she finds this out in the worst way possible, by being attacked by a bandogge, a terrifying two-headed dog.
“The Lightning Queen” by Laura Resau is a story told in two times, the present day and what is known only as “Long, Long Ago,” but only one place — the Hill of Dust in Oaxaca, Mexico. Mateo and his mother visit their family in Oaxaca every summer, but this year, Mateo can tell there is something different about his grandfather as soon as he arrives. Before long, Mateo’s grandfather launches into a captivating tale, one he’s been longing to tell for years. He tells of a young boy whose family has been fractured by tragedy, and of the young gypsy girl and her caravan who change his life forever after they come to the Hill of Dust.
“Faceless” by Alyssa Sheinmel chronicles sixteen-year-old Maisie’s journey to recovery after part of her face is destroyed in an electrical fire. Maisie’s burns are so bad that the tissue in her cheeks, nose, and chin actually died. Luckily (although Maisie won’t like it if you call her that – lucky girls don’t get their faces burned off), Maisie qualifies for a face transplant. But recovery after the surgery is so much harder than Maisie predicted; not only does she have to deal with the physical healing of her body, she also has to take about twenty pills three times a day and go back to school, where everyone remembers how she used to be before her accident. She can’t help but ask herself…is it all worth it?
When 16-year-old Giselle Boyer, her twin sister Isabelle, and their parents dash out of their house, stressed and trying to make it to Isabelle’s orchestra concert on time, little do they know that these are the last few moments of normalcy they’ll ever have. A car accident puts all four members of the Boyer family in the hospital and ends the life of one of them forever.
“The Inker’s Shadow” is a companion to Allen Say’s 2011 graphic memoir “Drawing from Memory.” In “Drawing from Memory”, Say chronicled his childhood in Japan in WWII and his path to his mentor, cartoonist Noro Shinpei. In “The Inker’s Shadow”, Say continues his autobiography, telling of his life in America after he left Japan – and Shinpei – behind.
The first 400 pages of “The Marvels” are told through illustration, chronicling the exploits of sailing-turned-acting family the Marvels in the eighteenth and nineteenth centuries, and the last 200 pages told in prose, following the story of 13-year-old Joseph Jervis after he runs away from boarding school to stay with his eccentric uncle, Albert Nightingale. Selznick unfurls the relationship between these two stories gradually, in a way that both manages to build suspense in a maddening way and be totally satisfying once all is revealed.
When Kate Hood’s grandmother disappears, leaving behind several grotesque tapestries depicting children being tortured in horrible ways, no one in her village will help Kate look for her. In desperation, she turns to Jack, another village outcast after he had a nasty run-in with a giant a few years back. Before they can get far in their search, however, they’re taken to the king; it seems a princess has gone missing, and they’re the prime suspects.